Brise-Cul Records | KVLT 667, the neighbor of the beast

BRISE-CUL’S SPRING MADNESS 667 TABARNAK UPDATE

SADE 141 - WAPSTAN - Stoneham - (Depending on your point of view, Stoneham can be the point of arrival from a long rite of passage or the entrance of it. Following the abyssmal discharge of last year’s “Le Peuple Du Grand Noir” Wapstan, expand it’s cold roots in the loud, cold and vast way that will drive you to your inner frost. Based on cold field recordings and recorded without any effects or digital retouche and mastered by Grkzgl for your hypothermic pleasure…)

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SADE 136 - DIE ENTWEIHUNG - The Hallucinations (Although I’m a big fan of black metal for years and years, I feel that this genre often fall in the “meh” category… Lack of creativity or of distinction, genericness, lack of KVLT, name all the feeling that you feel when you ear a very bad black metal act and with times, it seems that there are more and more legions of VNKVLT black metal… But here’s something KVLT. Die Entweihung is coming from what the belivers calls the Holy Lands and deliver one dose of very EPIC BLACK METAL. No other word than epic describes this vast dose of weird synth experiments, high screaming guitars, agonizing beats and unholy vocals… Think late-70’s synth music under the influence of Bathory and intoxicants… KVLT fans of vast epic black metal need this… The rest can listen to all the other suburban teenager in his bedroom that pollutes the black metal scene…)

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SADE 140 - GMACKRR - Meditative Part 6-13 (Gmackrr is without any doubt one of Montréal’s finest import/export of the last years. She is one of the best artist to work with and she is producing one hell of fine experiments… On this second release on Brise-Cul, she follow the path of this first release, 2008’s Meditative Part 1-5. Expect some very soulful synth experiments to elevate your soul…)

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SADE 134 - CHANSONS D’AMOUR - L’Album (Chansons D’Amour is one of the best match-up in recent years to clean Montreal’s lousy earwax. On this first album, Chansons d’Amour is the combo of 2 regular Brise-Cul recording artists, Cabral Jacobs who delivers his ultra-fine free jazz saxophones and Grkzgl who provides his powerful discharge of harsh noise. The result is a very very harsh cocophonous dialogue between the two belligerents. The duo have since been expanded to a trio with John Brennan on drums to please more your ears, but this recording is a very good document of the primal scream of this very good new Montreal act. One of the harshest release that ever been done on Brise-Cul since the launching of the label in 2001…)

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SADE 137 - LES GUSTAVO KUERTEN - Massage Automate II (You know, when you think your scene is a borign thing with only a circle of old farts, there’s new spirited people that came to reminds you how cool it is to be involved in a local scene. Les Gustavo Kuerten are like this, very enthousiast and supportive people that will make you smile. I love these guys since they are very open to weird stuff, like when they showed up on one of my Organic Noise Afternoons as a full psych band in the middle of a park on a sunny saturday afternoon to play one of the best rock set in the middle of families, children and poeple walking with their dogs… This is a short psych recording that is a very good introduction to this punch in the face choas of these very cool dudes from Montréal…

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SADE 132 - ça - s/t (ça (pronounced saw) was recorded in 2008 and is a collection of sounds taken from various microcassette tapes played without effects and under the inluence of intoxicants… The result is a weird trip into stuff i recorded everywhere and anywhere with one my favourite instrument, my Sony microcassette recorder.)

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Every releases are on typical Brise-Cul Style spraypainted CDR to separate the true KVLT people off the VNKVLT ones…